notpoetenough: oh the sweetness (Default)
1) Chief Kim
2) Just Between Lovers
(I confess I watched these in their entirety after TRS ep6,
when I realised I didn't want to wait a week between TRS episodes and would be better off bingeing TRS after it ended)

3) Confession

4) Wok of Love

5) ...and then I had finished all the Junho dramas I could get my hands on and had to turn to something else to scratch the itch.


A Piece of Your Mind
(ooh I could call this mini-rant 'a piece of my mind'! /cheap thrills):

Heard this was good despite the poor ratings, but gave up at ep3.
The moment that finally did me in was when Seo Woo swung inexplicably from
(a) feeling angry at/blaming Ha Won, to
(b) feeling sad for his heartbreak (she even points it out), to
(c) deleting Ji Soo’s recorded voice from the studio.
Come on... you /know/ he is grieving and would want to have any piece of Ji Soo he could have
(after all, he wanted her voice even before she had died),
not to mention you personally listen to your dead mum's voice nightly...
why on earth would you deny him this?
And it's not like Seo Woo is an insensitive or unempathetic character.

I’m fine with slow burn (e.g. My Ahjusshi, JBL),
but I’ve got to be sufficiently invested in these characters/their relationships to want to stick around for the payoff.
And in this case, I just don’t care enough??
Not saying that I have to be privy to every single detail of their backstories,
but drop more hints to tantalise!
Or, idk, give us some meaningful dialogue or cues to intrigue/make us empathise with the characters.
Well.. suffice to say, it was all rather dull
(e.g. all I got for Ha Won and Ji Soo was childhood co-dependency and lots of snow,
the show kept me waiting too long to find out why she is so important to him).
It felt like most of the screen time was given to sad-looking characters wandering around in dreamy sets.
(Admittedly beautiful, but to what end? At some point it just becomes atmosphere for atmosphere’s sake.)

And Lee Han Na’s character is at best superfluous, and at worst annoying.

The bits that made my ears perk up a bit:
-Ji Soo at the grave (like OOH finally some emotionally weighty backstory!).
...but then it stopped there and she died,
and I didn't really feel like spending more time plodding towards the reveal.
-Best lines/directing up to ep3 were when Seo Woo talks about how she wishes people would tell her to stay.
notpoetenough: oh the sweetness (Default)
The Red Sleeve

-3 words: bittersweet, deeply sobering

-I have so. Many. Feels. So. Many. Thoughts. (Which is why this post is practically an essay lol.) The pile of used tissues beside me by the end of ep 17 said it all - it felt like I'd been put through the wringer. This drama will linger with me for a long time.

-Not flawless, but the core of it - the characters and their relationships - was very consistent and well-written, and their motivations and development believable throughout (e.g. Deok Im becoming more and more restrained and oblique as time went on). Loved how they humanised every major character (though some only in their deaths hahaha). I was nervous that the plot would cease to make sense partway through, but even the fairy palace stuff didn't detract too much from my love for this?

-Acting was wonderful wonderful wonderful. Those micro expressions… an eye subtly brimming with tears here! A sardonic tilt of the mouth there!

-Beautiful lighting/cinematography

-Did the court lady love the king? ---- Yes? I think she definitely cared deeply for him, mixed with loyalty to him as his servant, and admiration of him as his subject (e.g. the moments in the library when she first heard his exposition on texts and said he would make a good king). In the few moments when the choice was handed to her to cut him off or try to maintain some form of relationship with him, she reached out (e.g. in ep 15 on the bridge post-Hwabin ‘is it too late?’, then again in the bedroom before she and San slept together). And what she said to San just before her death confirmed it IMO (‘if I hadn’t liked you, I would have done anything to run away… it was my choice’).

The problem lay with the fact that their choices were almost always narrowed to an either-or, rock or hard place-type situation thanks to societal restrictions and roles. Take Deok Im - she's forced to choose between a simple life without San and a caged life with him, between being honest with her feelings or clinging to the tiny dregs of choice/control available to her. There was no situation in which she wouldn't have to sacrifice something that was dear to her. And she is right - why should she be fully devoted to someone who could/would not be fully devoted to her in return? I absolutely loved when she said ‘When I’m alone, I calculate. What have I earned? What have I lost?’. And when she told San that she sometimes imagined what things would have been like if they had been commoners... ;; I asked myself throughout the drama what I would have chosen in her place, and I had no easy answers.

Similarly, San - with all his threats and constant pushing of Deok Im for an answer - was a product of his time and status and the power imbalance. He was probably told consistently that all women in the palace were his by birthright. And as a king, his threats actually did have a basis, and the behaviours he threatened her with probably wouldn’t have been unprecedented. I can imagine how strange he would find a situation where a woman did not cave to his power/favour. Also, as far as I recall, he stopped short of ever carrying his threats out and even actively protected her from some of the things he threatened her with (e.g. asking her to choose whether she wanted to continue just before he bedded her, rather than afterwards when her choices would be further narrowed).

San loved her but there was a clear struggle between being a good husband to Deok Im and his moral responsibility as a king (again, I can’t say this enough - San’s character was consistent from the very start, it was obvious from his discussions with his tutors that he would place his country’s interests above his personal feelings), and it was believable that he made the decisions he did (e.g. leaving Deok Im’s side to carry out his kingly duties, going to the queen when Deok Im’s pregnancy was confirmed). I respected his strict principles and sympathised with him in this struggle - as Deok Im said, ‘I don’t blame you’, ‘I always knew it would be this way from the start’ - but this didn’t (and of course it wouldn’t!) take away any of the hurt and disappointment she felt. If he had chosen Deok Im, would he have compromised his status as a good/wise king? Again, rock - hard place.

-I adore that the show didn't neglect to mention/show that there were small happinesses along the way and attempts to accept the realities and move forward. It didn't go full-on tragedy but managed to retain the realism and complexity of human experience.

-Favourite moment! When San unfolds Deok Im’s court maid uniform near the end of ep17 and says ‘It is too small… I did not know you were this small. And I loved you who were this small’. BAWLED at the sheer grief. And so true - by the end of her life, she couldn’t bear the weight of his love and all the consequences that came with it, though she at times seemed larger-than-life.

-Loved that the thread of choice was woven even through that (gorgeous) ending - and that in his death San finally chose Deok Im over his kingdom. Just wish - as impossible as it was - that the choice hadn't had to be made, and they could have fully had each other in life.

Edit: https://www.reddit.com/r/KDRAMA/comments/rti2uq/the_red_sleeve_episodes_16_17/ is so good ugh /brb, drowning in feels

+ https://thetalkingcupboard.com/tag/the-red-sleeve/
+ https://www.dramabeans.com/2022/01/drama-chat-what-made-the-red-sleeve-cuff-such-a-hit/
notpoetenough: oh the sweetness (Default)
In this laptop hiatus (UGH, HP :< ):

3 k-dramas concurrently hahaha
-Because This Is My First Life - cogent, beautiful writing; imperfect characters; nuanced relationships.
Age of Youth, Forest of Secrets, On The Way To The Airport, and now this...
I've had a great run of kdramas this year :D
-While You Were Sleeping - plotlines aren't great and the logic of the main plot device is loophole-ridden
but guh the main characters/their interactions are incredibly ~healing~??
Suzy is doing a good job.
-20th Century Boy And Girl - could do without the annoying stock best friends/some of the stilted dialogue
but the chemistry of the main couple is A++ (KIM JI SUK! HAN YE SEUL!).
I also like the exploration of faded stardom in Anthony.

1 c-drama:
-Tietsin Mystic - Li Xian is all bravado and charm and ridiculous expressions hahaha. Fab.
notpoetenough: oh the sweetness (Default)
It wouldn't be an exaggeration at all to say:
best k-drama I've ever watched, and best drama I've watched in a long, long while.
Just masterfully-executed all around?
A clear - but never preachy - message,
beautiful scripting and camerawork (I still recall the scene where Shi-mok gets up from the hospital bed),
lots of complexity and room for thought
(but never neglects our need for main characters we can wholeheartedly root for),
superb acting. And precise - even down to the number of flashbacks needed to establish an emotion.
Not a shred of fat anywhere.

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